Tag Archives: Romance

For the love of all that is good and fictional…

Why do you read fiction?

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It’s a legitimate question, and one that really has no right answer.  Some people turn to fiction for the adventure, some to connect with people in a way they can’t in real life, some to escape real life.  Some read to learn, some read just because they love words and the way those words come together to form a whole book.

Frankly, it’s not really important.  If reading fiction makes you happy, you should read it.  No matter what genre, topic, or theme.

My stance on this was reinforced the other day when I read a blog post by Swiss-Anglo philosopher Alain de Botton, writing for Penguin’s UK website.  The post, titled “Alain de Botton on why romantic novels can make us unlucky in love“, frankly, set my teeth on edge.

Alain-de-Botton-001Alain de Botton begins by stating we should read fiction because it “it lends us more lives than we have been given”, which is a sentiment I think is really quite lovely.  He holds that fiction essentially allows us to live through the lives of others, and learn from their mistakes and decisions, all of which is just fine.  However, that is, apparently, where our amicable acquaintance ends.  Because, de Botton then goes on to state,

Unfortunately, there are too many bad novels out there – by which one means, novels that do not give us a correct map of love…The narrative arts of the Romantic novel have unwittingly constructed a devilish template of expectations of what relationships are supposed to be like – in the light of which our own love lives often look grievously and deeply unsatisfying. We break up or feel ourselves cursed in significant part because we are exposed to the wrong works of literature.

I honestly can’t begin to tell you how sick I am of other people telling me–or any reader, for that matter–that reading romance novels is bad, or “wrong” for them.  As long as romance novels have been popular, there have been people (particularly men, but I’ll leave that be for the moment) banging on about how romance novels will inherently make women unhappy and unfulfilled, because they provide false expectations of reality.

I read a great deal of fantasy and science fiction novels, in addition to romance.  I have never heard anyone voice concern that I may be harmed by these books.  No one seems worried that I will come to believe that animals can talk, or that I can time travel, or that I can shoot flames from my finger tips.  Yet, over and over again, I hear that I am in real danger of thinking romance novels are real.

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Let me be really clear about something: Romance readers are, demographically speaking, college aged women with careers.  They know very, very well that romance novels are fiction.

Now that we have established that fact, let’s also think about the purpose that romance novels do serve.  They are escapes.  They exist in a world where one doesn’t have to dust, or clean the toilet; where people can excel at interesting jobs; where soul mates are a real, tangible thing.  They are guaranteed happy endings.  And, as I’ve noted before, they explicitly affirm the heroine’s (and, thus, the reader’s) right to self-affirmation and individual happiness.  They teach us that we, as readers and as heroines, are capable of growing, of trusting ourselves, of respecting and loving ourselves.  Love is a reward for a journey of self-discovery.  The rest of it is frosting.  Delicious, sweet, decadent frosting.  With glitter.

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Like this lovely cupcake.

Yet, according to Alain de Botton, “The Romantic novel is deeply unhelpful. We have learned to judge ourselves by the hopes and expectations fostered by a misleading medium. By its standards, our own relationships are almost all damaged and unsatisfactory. No wonder separation or divorce so often appear to be inevitable.”

By this same rationality, the current state of our environment can be attributed to too many science fiction readers believing that we will soon be moving to a moon colony.  Or that our foreign policy is the result of too many thriller readers believing that the Constitution is really a secret code handed down by the Freemasons.  Yet no one assumes that readers of science fiction or thrillers are that stupid or shallow.  Why, then, is it in anyway fair to think that romance readers have such a tenuous grip on reality?

Romance Readers
Romance Readers

I’m not sure if Alain de Botton hasn’t read many romances in his life, or doesn’t quite get them.  And that is fine.   As a very proud Library Person, I can say that he has every right to read, and to enjoy, whatever he likes.  If he would rather read more realistic stories about “real life”–whatever that actually is, that is terrific, and does not reflect on him as a worthy or intelligent person at all.   What I don’t, and will never, accept, is his assumptions about other romance readers.  We, too, have a right to read whatever we want, whenever we want.  And no one has the right to call that wrong, or tell us that “we merely need to change our reading matter”.

Screen-shot-2012-05-30-at-3_20_46-PMAs long as there have been romance novels, there have been people telling women that there is something wrong with the books, and with them, as well, for wanting to read about a world where their voices and their thoughts and their persons are fundamentally valued and important.   That’s not dangerous for anyone, and it certainly shouldn’t be considered unrealistic.

But until we stop judging genres–and their readers, we are not doing justice to the fiction we read, or the empathy that our fiction seeks to instill in us.

So, as we kick off National Library Week, we just wanted to take a minute to reiterate that you and your reading choices are always welcome here, no matter what anyone says.

The Romance Garden

 

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For the record, please don’t use Library Books as planters….

 

It is that time, again, dear patrons, when we genre-reading, happy-ending loving, romance readers offer you some of our thoughts on the books we’ve been reading, and the fun we’ve been having while giving our minds a little dirt in which to grow…

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Bridget:

3717333The Hunter by Kerrigan Byrne

My favorite romance novel of all time ever is Lord of Fire by Gaelen Foley…we’ve a number of her books, but not that one, sadly…but anyways, I loved that book because it presented two utterly stereotypical characters–and then preceded to peel away their stereotypes and pretenses, and façades, one by one, forcing them to confront each other as they really were, and come out the better for it.  I haven’t found a book to quite rival that reading experience…until now.

Christopher Argent is an assassin, one of the most lethal and the most feared in Europe.  But when he’s hired to kill renowned actress Millie LeCour–he can’t.  There is something about her that is so vital, so alive, that Argent simply can’t bear to hurt her.  Instead, he promises her security, and help in discovering who wants her dead (and why) in return for one night in her bed.  And while Millie’s world is turned upside down by the request, it’s Argent who suddenly finds himself totally out of his depth.  Because he realizes that he cares about Millie–and her young son–far more than he imagined himself capable of doing.  And that in itself is dangerous for a man who has trained himself not to care for anything, especially as he promised to leave Millie alone forever, once the danger against her has passed.

Though she’s excellent at weaving complex, surprising story lines, Byrne is a marvel at crafting characters.  There is never a moment where Millie feels like a traditional Damsel in Distress, which endeared me to this book immediately.  And, for that matter, even though I tried hard not to like Argent (because he’s an assassin that that isn’t very nice), she did such a good job showing how and why he became the man he did that it’s impossible not to feel for him–especially after meeting his arch-nemesis, who is skin-crawlingly awful.  There is so much insight, and so much care put into developing these characters–and in deconstructing all their former assumptions about themselves and each other–that I couldn’t put this book down.  Byrne also injects a fair bit of humor into the story, which might seem impossible given the lives that Millie and Argent have led, and the tangle of thwarted desires and evil deeds that have got them to this point, but their coming together is a beautifully awkward, blisteringly hot, and genuinely moving story.
For those looking for more of Byrne’s terrific work, be sure to check out the first book in the Victorian Rebels series, The Highwaymanwhich is on our shelves, as well!

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Kelley:

3709962One-Eyed Dukes are Wild by Megan Frampton

The third book in Frampton’s Dukes Behaving Badly series pairs unlikely couple the proper Duke of Lasham and the scandalous Lady Margaret Sawford. Having inherited the title along with its awesome responsibility at a very young age, the Duke of Lasham takes his position in society very seriously. As a consequence, his reserved behavior is proper verging on stiff and that coupled with his forbidding appearance has led to an existence that involves few friends and far too little happiness. When the Duke of Lasham meets Lady Margaret, he finds himself ready for those things to change.

Having refused a suit encouraged by her parents two years ago, Lady Margaret is estranged from her mother and father, and considered to be firmly on the shelf. Instead of lamenting her situation, Lady Margaret takes advantage of the freedoms that being a scandal with a sister who is a duchess allows. She speaks her mind, plays cards like a shark and writes magazine serials to support her own needs, and spends her time defending the rights of women who don’t have the benefit of her station in society. Initially intrigued by the Duke of Lasham’s dangerous appearance, she ultimately makes it her mission to learn more about the man who hides behind his eye patch and irreproachable reputation. What ensues is a series of adventures and romantic interludes that lead two people to happiness when they never expected to find it.

Overall, I’d have to give this romance a mediocre review. The Duke and Lady Margaret are intriguing characters and their relationship is sweet, but this book left me wanting more especially in the way of conflict and information about both the hero and heroine’s families. Also, the interspersed stories by the Lady of Mystery didn’t work for me. Although I started this series with the third book, I had no trouble following the story. It’s possible that the first two books offer some information that I felt was missing here, but I guess that’s a post for another blog entry.

Bibliophile Confessions…On Love Triangles

There are tropes in literature that every reader loves…and hates.

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“Tropes” are the very common and recurring themes in literature that help us, as a species that loves categorization and patterns, keep stories straight in our heads.  Tropes let us know, essentially, what happens in the course of the story, and define several rules for the book from the outset.  There are “locked room” mysteries, for example, in which a detective character must solve a seemingly impossible crime, or a “trouble with robots” trope in science fiction, where the line between human and machine inevitably becomes blurred, or the “unlikely hero/heroine” trope, where the least likely character somehow manages to rise to the occasion and save the day.

In many ways, tropes are like foods in a grocery store.  We are familiar, to some extent, with most of them, and we know the ones that we love, ones that we hate, and ones that we really intend to try one of these days.  Largely, it’s all a matter of personal taste, and there is no shame in loving–or hating–a particular trope.

For example, I cannot handle love triangles.
….you know those stories where the heroine (and it’s usually a heroine) must choose between two potential love interests?  Yeah.  Those.

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Casablanca: One of cinema’s most famous love triangles.

As an objective reader, I can wholly appreciate the value of love triangles…it gives the heroine (let’s just stick with the idea of a heroine here) a chance to choose her own future, with each of her potential heroes symbolizing the potential paths for her to choose.  It also adds bucket-loads of drama to a plot, because of all the uncertainty, hope, and despair implicit in every scene.

My problem with love triangles?  In probably 97% of cases, I choose the wrong person.

It all started when I was in sixth grade, with a historical adventure novel that isn’t in the NOBLE system, so it shall remain anonymous, in which a young heroine who had travelled out to Colorado territory was being courted by two gentlemen: one a young journalist whom she met on the train at the outset of her journey, and the other, a cattle rancher who was tied to the land and devoted to the promise of the American West.  I was in love with the journalist.  Absolutely head-over-heels dippy over him.  And in the end…the heroine chose to stay in with the cattle rancher.

And I didn’t speak to anyone for three days.

Love-TriangleAnd ever since then, I invariably fall in love with the unsuccessful suitor.  That’s why I was inconsolable at the end of Tale of Two Cities (which made for an extremely awkward high school English class); it’s why I could never enjoy Wuthering Heights as much as I should; for crying out loud, even if one of them turns out to be a villain, I’m still the weirdo sitting there with a little pennant, rooting for him have a happy ending!

Again, this is in no way a judgement on love triangles, or those who love them.  I wish I could.  However, there are a few books with love triangles that I could enjoy, and I figured, as a show of good faith, that I’d point them out to you.  Hopefully those readers who revel in the drama of love triangles will find some new stories to savor, and those who, like me, tend to shy away from them, will find the incentive to give one a try.

3176362A Rogue By Any Other NameSarah MacLean is one of my favorite romance authors of all time, so when the opening book of her Rule of Scoundrels book featured a fairly prominent love triangle, I forced myself to hold on tight and brave it out.  Her heroine, Penelope, has been convinced by years of unsuccessful courtships and a broken engagement that true love is not for her, especially after her father places an enormous dowry on her head in order to attract suitors.  But when the Marquis of Bourne, Penelope’s first love who was forced to flee society a decade earlier, suddenly returns, demanding Penelope’s hand, she finds that true love may be far more complicated than she ever imagined.  This is one of those books where the two heroes of the story represent perfectly the two paths open to the heroine, and MacLean makes Penelope’s choice emotional without beings devastating.  Best of all, she always provides all of her characters with agency and humanity, and in this case gives Penelope’s unsuccessful suitor the chance to be a hero in his own right.

3140489Anna and the French Kiss: This book turns the love triangle trope on its ear a bit, by making the heroine one of two women in the hero’s life–but doing it in a way that doesn’t compromise the heroine’s individuality or either woman’s potential for happiness.  Anna first meets Etienne St. Clair when her father unexpectedly ships her off to a boarding school in Paris for her senior year of high school.  Though Anna knows, deep down, that Etienne could be perfect for her, she also knows that he’s taken–and she still hasn’t forgotten the crush she left back home in Atlanta.  What I particularly loved about this book was the real and honest friendship that developed between Anna and Etienne.  Their genuine concern for each other, regardless of the other people in their lives, made this love triangle work for me, because they always had each other’s best interests at heart, no matter what.  It doesn’t hurt that this is a ridiculously romantic and heart-picklingly sweet story, making it impossible not to smile while reading, no matter what.

1603939The Phantom of the Opera: Gaston Leroux’s classic is surely the love triangle to beat all triangles, as the innocent, beautiful, and talented opera singer, Christine, finds herself torn between her recently-returned childhood love, and the mysterious, masked man who hides in the cellars of the Paris Opera House, and teaches her how to sing like an angel.  Remember when I said that even when a character turns out to be a villain, I still root for them?  Yup, this is that book.  But I would argue it’s pretty hard for a reader not to feel for Erik, the man behind the mask, after his long, fascinating and painful history is revealed, or want to follow him, even after the final pages have turned….

By My Valentine?

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Quote by Oscar Wilde Print by http://www.etsy.com/shop/JenniferDareDesigns

This week, one of our favorite blogs, Book Riot, came out with this Valentine’s Day themes post about “Romantic Heroes I Wouldn’t Date“, which very wisely points out the fact that a number of the men in literature that have been traditionally regarded as romantic leads….but through a twenty-first century gaze really so seem to be rather odious/abusive/creepy/smarmy.  Though I do take exception to some of the piece (Rhett Butler will never trump Rochester.  Never.), it’s an interesting piece.

Thankfully, classic literature is full of admirable, humane heroes who may have gone a bit overlooked and under-appreciated in comparison to their brooding, smarmy, snooty counterparts.  So I thought that today would be an appropriate day to counter Book Riot’s list with one of my own.  Here are some ideas of heroes who won’t lock you in an attic at the end of your first date…

DiggoryDiggory Venn: Members of the Library’s Classics Book Group have heard of my adoration for Thomas Hardy’s Return of the Native, but I don’t think anyone has quite appreciated how besotted I was as a teenager for the reddleman, Diggory Venn–which is also among the greatest literary names ever.  If I ever need to go on the lam, I shall call myself Diggory Venn.  When he first appears, Venn seems like a specter of the heath himself–mysterious, a little ragged, and oddly colored, thanks to his job, which involves traveling the country supplying farmers with a red mineral called “reddle”, the slang term for the dye used to mark sheep.  But we soon learn that, for all his strangeness, he is a smart, insightful, and eminently capable young man who isn’t afraid to get his hands dirty–literally and metaphorically–and is really the reason that anything happens in this book at all, and there are times when it seems that Venn may just have some superhuman powers…but what really earned my eternal adoration was his love for his heroine, Thomasin Yeobright.  Thomasin rejected Venn’s proposal two years ago, and while he never makes her feel guilty for her choice, or tries to change her mind.  What he does however, is everything within his power to make her happy, without asking for thanks or attention, even when she marries someone else.  True love is more than putting someone else’s happiness above your own.  It’s letting the one you love make their own choices…and being there with a handkerchief (albeit one that has some red dye stains all over it) when they need you.

6102843493_394a9b170bGilbert Markham: Everyone swoons over Heathcliff and Rochester, but nobody ever gives Anne Brontë’s hero enough credit.  Gilbert, the narrator of The Tenant of Wildfell Hall stars out as fairly unrecognizable from other young men around him.  He’s got a temper, and he is rather overly-confident in his own good looks and talents; but when he meets independent artist Helen Lawrence Huntington, he realizes that there are things in this world bigger than himself, and people who need more than a crooked smile to make them whole.  The Tenant of Wildfell Hall is a remarkable book for the simple reason that it features a tortured heroine, a woman with a past, and a man who has to prove himself worthy of her.  And Helen doesn’t make it easy.  But Gilbert has the good sense to realize that understanding Helen’s fear and reticence is worth the effort…and as he learns the hell that Helen has survived before moving to Wildfell Hall, he realizes that he is going to have to become far more than a pretty face in order to win her heart.  Because real love makes you grow up, face the world, and realize it doesn’t revolve around you.

c207c9c81133eb750d2d4f675f17915aProfessor Baher:  When crafting a love interesting for the quirky, self-determined heroine of Little Women, Jo March, Louisa May Alcott intentionally created a man who was the very opposite of what mainstream fiction dictated a hero should be.  But, in the end, Professor Frederic Bhaer turned out to be precisely what a hero should be.  He meets Jo when she has moved away from her home, family, and friends in order to make her own way in the world, and, though he finds her fascinating, he lets her do her own thing–but encourages her to be the best version of her that she can be.  The discussion (argument, really) that results from his criticism of her writing isn’t a pretty, or a comfortable one, but the result is that both Jo and the good Professor learn what it really means to respect each other, and to realize that they both have room to grown–as individuals, and together.  Louisa May Alcott knew that love isn’t easy, and the answers aren’t always simple ones.  But, in the end, love isn’t about the sunny days–it’s about sharing your umbrella with someone when it starts raining.
Note: This selection does not in any way detract from Theodore Lawrence, who was my first love.

So, Happy Valentine’s Day, dear readers.  May it be full of love and literature!

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A Bit More On Love Letters…


This week, we are celebrating the literary love letter (or love letters from the literary) as our contribution to your Valentine’s Day celebrations.  Today, we focus on perhaps the most famous love letter of all times, not only because of the timeless composition it inspired, but because of the mystery in which it is shrouded…

1949145Ludwig von Beethoven was never known to be a very charming individual.  He suffered from chronic stomach pains from his early twenties and began going deaf at about age 26, and both conditions made him quite short-tempered (to learn more, I can’t recommend Beethoven’s Hair any more highly).  He was known to stop performances in the middle of a piece if he thought the audience was not giving him the attention and respect he deserved.  His patron in Vienna, Archduke Rudolf, was forced to decree that the composer was exempt from the standard etiquette rules of court, so that his grumpiness wouldn’t cause a scandal.

But despite the stomach pains and the chronic curmudgeonliness , Beethoven had the soul of a Romantic–wild, passionate…and secretive.  Historians are still working to uncover the truth about a number of his relationships, particularly those that inspired him to compose.  Für Elise, perhaps one of his best known pieces, is believed to be a audible love letter to one of his students–who turned him down, truth be told.  But that shouldn’t detract (too much) from the beauty of the piece, or the sentiment behind it.  Have a listen for yourself:

But the best, the most important love letter was yet to come.  The  missive that has become known as the “Immortal Beloved” letter was discovered among Beethoven’s papers after his death in 1827, by his secretary, who kept it hidden for the remainder of his own life.  Thus, it was in 1880 that the letter made its way to the Berlin State Library, setting off a firestorm of speculation as to the letter’s intended recipient, when it was drafted, and why it never reached her.

Tests were performed on the watermark of the paper sometime in the 1950’s, and showed that the paper on which the letter was written was made in 1812, which was the year that Beethoven spent in the Czech city of Teplice.  Though we will presumably never know the truth about Beethoven’s “Unsterbliche Geliebte”–or “Immortal Beloved”–but it is generally assumed now that she was Josephine Brunsvik, another of Beethoven’s piano students.

josephine-brunsvikJosephine was 20 years old when Beethoven (who was 29 at the time) was hired to give her and her sisters piano lessons at their Vienna home.  According to his letters to her, it was nearly love at first sight for young Ludwig, but that same year, Josephine’s mother forced her to marry the exceptionally wealthy Count von Dehm, who was not only twice her age, but hated music.

Von Dehm died of pneumonia five years later, but being a widow didn’t allow Beethoven to press his suit.  Beethoven was a commoner, you see, and marriage to him would have forced Josephine to relinquish custody of her children.  Nevertheless, it is evident through their letters that the two remained close, visiting several times.  Beethoven wrote around April of 1805, in his characteristically dash-ridden way: “beloved J., it is not the drive to the opposite sex that attracts me to you, no, only you, the whole of your Being with all its singularities – has my respect – all my feelings – all of my sensibility is chained to you…Long – long – time – may our love last – it is so noble – so founded on mutual respect and friendship.”

beethovens-piano-1344527332-article-1The correspondence between Beethoven and Josephine ended with Josephine’s marriage to Baron Christoph von Stackelberg, her children’s tutor.  It was a disastrous marriage, and the baron left her in 1812.  Desperate for money, Josephine set off to see a family friend in Prague, stopping along the way in Teplice, where Beethoven was also visiting.  His sister took care of Josephine’s children during her visit, and there is no reason not to assume that the two caught up–and strengthened the bonds that had grown between them so many years earlier.  If indeed Josephine was the “Immortal Beloved” of Beethoven’s letter, it was this meeting that inspired him to write.  A few highlight of that letter are below…The full text of the letter is here, courtesy of the glorious Letters of Note:

Good morning, on 7 July

Even in bed my ideas yearn towards you, my Immortal Beloved, here and there joyfully, then again sadly, awaiting from Fate, whether it will listen to us. I can only live, either altogether with you or not at all. Yes, I have determined to wander about for so long far away, until I can fly into your arms and call myself quite at home with you, can send my soul enveloped by yours into the realm of spirits — yes, I regret, it must be. You will get over it all the more as you know my faithfulness to you; never another one can own my heart, never — never! O God, why must one go away from what one loves so, and yet my life in W. as it is now is a miserable life. Your love made me the happiest and unhappiest at the same time. At my actual age I should need some continuity, sameness of life — can that exist under our circumstances? Angel, I just hear that the post goes out every day — and must close therefore, so that you get the L. at once. Be calm — love me — today — yesterday.

What longing in tears for you — You — my Life — my All — farewell. Oh, go on loving me — never doubt the faithfullest heart

Of your beloved

L

Ever thine.
Ever mine.
Ever ours.

We can only speculate whether Josephine was the intended recipient of this letter, but we do know that Beethoven composed several pieces of music for her, among them “An die Hoffnung [To Hope]“, which bore a dedication to her on the original manuscript.  For fans of Pride and Prejudice, this is the song that Lizzie sings while Darcy gives her The Look.  His final two piano sonatas (Opus 110 and Opus 111), which were written just after her death, recall the melody of that song, perhaps offering a final farewell to the woman who would live forever in his heart, and in his music….

In Praise of the Love Letter….


Love-Letters

Despite being a devoted reader of romances, I’ve always had issues with Valentine’s Day. It’s nothing to do with being, or not-being, in a relationship, and far more to do with how generic a holiday it seems to have become. More than anything, I miss love letters (those of you who were subjected to my Holiday Card Rant probably aren’t surprised by this). Real, honest-to-goodness love letters, not produced in assistance with Hallmark or 1-800-Flowers, but crafted with ink and paper and passion.  The kinds that can change the entire course of a narrative, and make a relationship into the stuff of legends.  So, in honor of Valentine’s Day, I thought it might be edifying to take a look at some real-life masters of the love-letter and see how it’s meant to be done…

keatsporFor sheer frenzies of passion, you can’t do much better than John Keats (1795-1821).  Impoverished, chronically ill, and Romantic–both in terms of his art and his temperament–Keats’ brief career was perhaps one of the most influential of his era. Much has been made lately of his intense relationship with Fanny Brawne, a neighbor he met sometime in the autumn of 1818, and his letters to her leave no doubt of the depth of his feelings:

Sweetest Fanny,

You fear, sometimes, I do not love you so much as you wish? My dear Girl I love you ever and ever and without reserve. The more I have known the more have I lov’d…Can I help it? You are always new. The last of your kisses was ever the sweetest; the last smile the brightest; the last movement the gracefullest…My Mind has been the most discontented and restless one that ever was put into a body too small for it. I never felt my Mind repose upon anything with complete and undistracted enjoyment—upon no person but you.

2758839It was a source of constant pain and fear for Keats that his bleak financial prospects made the likelihood of an eventual marriage to Fanny nearly impossible.  Worse, his health was so poor that he harbored no illusions about the likelihood of growing old with her. His doctors suggested he move to Italy with his friend, Joseph Severn, in the hopes the worst symptoms of his tuberculosis could be alleviated. Just before his departure, Keats wrote to his love,

My dearest Girl,

I wish you could invent some means to make me at all happy without you…I feel it almost impossible to go to Italy—the fact is I cannot leave you, and shall never taste one minute’s content until it pleases chance to let me live with you for good…I wish I was either in your arms full of faith or that a Thunder bolt would strike me.

In the end, the trip was a disaster, and Keats died in Rome on February 23, 1821. Fanny remained in mourning for him for six years, and would be devoted for the rest of her long life to protecting Keats’ memory, which included preserving every letter he wrote to her. Though he died fearing he left nothing behind worth remembering, thanks to Fanny his letters have been preserved for the rest of us.
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Kiprensky_PushkinNow we turn to my favorite letter-writer, and all-around fascinating Romantic, Alexander Pushkin (1799-1837).   A Freemason, secret member of the Decemberists and a man who fell in love as easily and often as most people catch colds, Pushkin was a master of language and a phenomenal letter-writer; he frequently admitted to being a much more amiable person on paper than in person.

Much of the charm of Pushkin’s letters comes from their honesty—frequently far more honesty than was socially acceptable, but I doubt many of his correspondences minded. Take this letter for example, written to one of his favorite paramours, Anna Petrovna Kern:

I had the weakness to ask you for permission to write you, and you the thoughtlessness or the coquetry to permit me to do it. A correspondence leads to nothing, I know; but I do not have the strength to resist the desire to have a word from your pretty hand…Farewell, divine one. I am frantic and I am at your feet…
[And added to the letter at the bottom:]

I take up my pen again, because I am dying of boredom, and I can’t get you off my mind. I hope you will read this letter in secret…Write me all that comes into your head, I entreat you. If you fear my indiscretion, if you do not wish to compromise yourself, disguise your handwriting, sign with a fictitious name—my heart will be able to recognize you. If your words should be as sweet as your glances, alas! I shall try to believe them or to be deceived; it’s all the same.

Puskin is also responsible for writing one of the most famous love letter/poems in Russian literature–to a young serving maid who worked in a house he was visiting.  The poem was written in 1828, and published in 1830, and has since become the standard poem for all who have loved–and lost.

I loved you once: perhaps that love has yet
To die down thoroughly within my soul;
But let it not dismay you any longer;
I have no wish to cause you any sorrow.
I loved you wordlessly, without a hope,
By shyness tortured, or by jealousy.
I loved you with such tenderness and candor
And pray God grants you to be loved that way again.

3486864Part of the magic of this poem is that it is nearly impossible to translate without breaking up the meter–it not only has a heart, but a soul, too.  Like any good Romantic, Pushkin was killed in a duel with his brother-in-law, Georges-Charles d’Anthès, who was most likely involved in an affair with Pushkin’s less-than-devoted wife (rumors are that she was also carrying on with Tsar Alexander I). Speaking of which, if you want to learn how to write a note that will incite a duel, check out Pushkin. But perhaps that is a pst for another holiday….?

Stay tuned for more love letters to come!

Genre Talk: Be still, my heart….

Though I have to admit that the overwhelming wash of pink splashed across every window display in the greater Peabody area is a bit much to handle, February is the ideal month to talk (a bit more) about romance novels, and the genre in general.  And since we at the Free For All are firm supporters of reading what makes your heart happy, and trying out new genres–from poetry, to cookbooks, to romance–today seemed like as good a day as any to discuss romance, and help you find a place to start in your exploration of the genre.

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Frankly, there has never been a better time to start reading romance.  The market for the genre has exploded over the past eight years or so, especially since the advent of the ebooks (because, as we’ve noted before, the covers can be a smidgen much sometimes).  According to the Romance Writers of America, some 64.6 million Americans read at least one romance novel in the past year–and 25% of those nice people checked their book out from a library, which makes us happy on a number of levels.  In case you needed some further statistical incentive, in 2013, the annual total sales value of romance sales was $1.08 billion, and romance books comprised 13% of all fiction books published.  What all these facts combine to show is that, in choosing your romance novel, your options are myriad, and you will be among excellent company.

But how to know what to chose?  As with fantasy–indeed, as with most any fiction genre–the categorizations are not hard and fast, and the stickers on the spines don’t always give you the best indication of what is between the covers.  So here is a quick break-down of the bigger categories of romance novel for you, with a few suggestions along the way to get you started in the right direction:

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CRContemporary: By far, this is the largest genre of romance novels, comprising a little less than half of the romance books published in the United States.  Interestingly, according to the Romance Writers of America, “contemporary novels” are books that are set after 1950–a date that shifts every few years as time marches on.  Largely, though these books are set in the “present day”, which means some older books can feel a bit dated, not only in terms of the fact that the characters don’t text each other, but in terms of some of the social mores between the characters.  There are some very definite subgenres within the contemporary heading, and some very familiar tropes including cowboy hero–sometimes they are ranchers, but the word “y’all” comes up a lot, and spurs are worn unironically, military heroes–if anyone finds a romance novel with a military heroine, I will, quite literally praise your name from the rooftops, and, more recently, motorcycle club badboys.  And the billionaires (they used to be millionaires, but inflation affects even romance novel characters).  Everyone has their favorite tropes, but I love Lauren Layne’s two contemporary series, or anything by the writing team known as Christina Lauren.

historicalromance1Historical: Though contemporary’s hold the plurality on the market, I think it’s fair to say that these are the kind of stories that people think of when they think of romance novels.  It’s funny…every single year, publishers claim that the historic romance genre is “dying”, because it is only about 15% of published romances, but every year, historical romances are featured in mainstream trade magazines as the books to read.  Though technically, historical romances are any that are set before 1950, the early 19th century is still by far and away the most popular period for these books, particularly the Regency Period (officially 1811-1820).  The glittering ballrooms, fancy dresses, and other fun details aside, historical romance novels succeed for a number of reasons–because gender role were so rigidly defined, it’s much easier to talk about challenging gender stereotypes–in the character’s time, and in our own.  Sarah MacLean is a marvel at drawing these parallels, but doing so in a novel that is wildly entertaining and genuinely moving.  Similarly, by placing romances in a world without cell phones and cars, authors can also get rid of the distractions that keep us apart (even while they bring us together).  Eloisa James is really talented at this–and, as a Shakespearean professor in real life, you are also guaranteed a wonderfully thoughtful story, as well!

nosferatuParanormal Romance: Though series like Twilight defined this subgenre for many, in reality, it is an enormously diverse one that features a wealth of science-fiction, fantasy, and supernatural elements.  Vampires, yes, certainly; but shape-shifters are also hugely popular within the realm of paranormal romance.  Increasingly, there are also magicians, necromancers, and gods and goddesses, too!  While some paranormal romances are very firmly focused around the central relationship, like Larissa Ione’s Demonica Series, in many cases, they are much more like urban fantasy novels, with a complex world and a larger story arc, like Thea Harrison’s Elder Races series, or Jeaniene Frost’s Night Huntress books.

lovers silhouette with gunRomantic Suspense: Perhaps not surprisingly, these books are ones that feature suspense, mystery, or thriller elements as a major part of the plot.  Very often, the two aspects, the suspense and the romance are intertwined and cannot be separated.  In Cynthia Eden‘s LOST novels, for example, the main characters are all part of an elite search-and-rescue team, and fall in love as a result of the cases they take on.  Many of the books I’ve read in this genre seem to rely on the damsel-in-distress trope to succeed, but some authors, like Jayne Ann Krentz and HelenKay Dimon are great at creating heroines who are just as strong and capable as the heroes.

inspirational_romance_bannerInspirational Romance: These books feature faith as a major component of their plots–traditionally Christian, but any number of believe systems can be the focus of these books.  These books can be both historical–very frequently, they feature characters living in Amish, or similar religion-based communities–or contemporary.  Readers looking for recommendations need look no further than this blog, as our beloved Melissa is the resident expert here!

Until next time, dear readers–Happy Reading!