The Pulitzer Prize was established in 1917 by the Hungarian-born Joseph Pulitzer, who made his name and fortune as a newspaper publisher in the United States.
Pulitzer came the United States and was paid $200 to enlist in the United States Army during the American Civil War. Following his discharge, he made his way to Boston, intended to get work aboard the whaling ships of New Bedford. Whaling, he found to his dismay, was quite boring, so he lived the life of a tramp for some time, sleeping on the streets and traveling in boxcars all the way to St. Louis. In a town so full of German immigrants, Pulitzer was a welcomed guest, and soon found work in restaurants…and was fired when he dropped a tray and doused a patron in beer.
So Pulitzer did what all wise people do (ahem) and he started hanging out at the Library. He learned English from the books on the shelf, and decided to strike out on his own, making his way to Louisiana, after some fast-talking steamboat operators convinced him, and a few other men, good-paying jobs on a Louisiana sugar plantation. They boarded a steamboat, which took them downriver 30 miles south of the city, where the crew forced them off. When the boat churned away, the men concluded the promised plantation jobs were a ruse. They walked back to the city, where Pulitzer wrote an account of the fraud and was pleased when it was accepted by the Westliche Post, evidently his first published news story. He moved back to St. Louis (and near his beloved Library), and began buying shares in newspapers–then selling them, eventually making a profit that allowed him to buy both the St. Louis Dispatch, and the St. Louis Post, and combine them into the St. Louis Post-Dispatch, which is still in operation today.
Pulitzer himself was a workhorse, putting in workdays that started at 10am and ended at 2am the next day. And that work paid off. Within a decade, he was buying newpapers in cities across the country, and by 1887, he was elected to the US Congress (and resigned so that he could pay attention to his papers). It is thanks to Pulitzer, and his arch-rival, William Randolph Hearst, that we have the world of news that we do today. The two of them, quite literally, single-handedly invented modern print journalism by selling advertising space in their papers, and, thus, monetizing the material they were putting out. In order to ensure that papers sold, they both encouraged their reporters to sell the stories, with eye-catching headlines, passionate story-telling, investigative, hard-hitting articles…and a good helping of sensationalism mixed in to ensure that the public remained riveted.
Pulitzer left Columbia University $2,000,000 in his will upon his death in 1912…this around the time that the average annual income was $500-$700…to found a school of journalism, to ensure the news empire that he build, and the business he had helped to found would continue to thrive. Five years later, they established the prize in his name that would reward the best that American journalism has to offer. Since then, the award has expanded to include “Letters, Drama, and Music” as well, making it one of the most prestigious literary awards in the United States. Prizes are awarded yearly in twenty-one categories. In twenty of the categories, each winner receives a certificate and a US$15,000 cash award (raised from $10,000 in 2017).
And today, we are thrilled to announce the winners of the 2017 Pulitzer Prizes for “Letters, Drama, and Music”, along with the description provided by the judging board in their selection. For the full list of awards, see the Pulitzer Prize website here.
Fiction
The Underground Railroad, by Colson Whitehead
For a smart melding of realism and allegory that combines the violence of slavery and the drama of escape in a myth that speaks to contemporary America.
Drama
Sweat, by Lynn Nottage
For a nuanced yet powerful drama that reminds audiences of the stacked deck still facing workers searching for the American dream. (Currently on Broadway)
History
Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy, by Heather Ann Thompson
For a narrative history that sets high standards for scholarly judgment and tenacity of inquiry in seeking the truth about the 1971 Attica prison riots.
Biography or Autobiography
The Return: Fathers, Sons and the Land in Between, by Hisham Matar
For a first-person elegy for home and father that examines with controlled emotion the past and present of an embattled region.
Poetry
Olio, by Tyehimba Jess
For a distinctive work that melds performance art with the deeper art of poetry to explore collective memory and challenge contemporary notions of race and identity.
General Nonfiction
Evicted: Poverty and Profit in the American City, by Matthew Desmond
For a deeply researched exposé that showed how mass evictions after the 2008 economic crash were less a consequence than a cause of poverty.
Music
Angel’s Bone, by Du Yun
Premiered on January 6, 2016, at the Prototype Festival, 3LD Arts and Technology Center, New York City, a bold operatic work that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world. Libretto by Royce Vavrek. (A preview of the performance can be seen by following the title link)