Whether we agree with it or not, beloved patrons, time marches on, and we come again to the close of another week, and the arrival of a new Five Book Friday.

One week ago, Buzzfeed published a list of “32 Beautiful Book Quotes To Read When You’re Feeling Lost“–a feeling, I think, to which many of us could relate.  I clicked on the link, more out of a desire to stay lost than to confront reality.  But the more I read of these quotes, many of them from 18th- and 19th- century authors, I realized that I was feeling just a little bit better.    Not necessarily because of what the quotes said, although some of them were truly touching; instead I found myself taking enormous comfort from the longevity of literature…from the power of language to endure, to hold a charge for generations so that readers centuries away can still feel its power.  And so I thought, by way of introduction today, I’d share a few of those quotes with you:

1. “Oh God, the terrible tyranny of the majority. We all have our harps to play. And it’s up to you to know with which ear you’ll listen.” —Ray Bradbury, Fahrenheit 451
   
2. “Be good, be young, be true! Evil is nothing but vanity, let us have the pride of good, and above all let us never despair.” —Alexandre Dumas, The Lady of the Camellias 
3. “Heaven knows we need never be ashamed of our tears, for they are rain upon the blinding dust of earth, overlying our hard hearts. I was better after I had cried, than before – more sorry, more aware of my own ingratitude, more gentle.” —Charles Dickens, Great Expectations 
4. “We are all in the gutter, but some of us are looking at the stars.” —Oscar Wilde, Lady Windermere’s Fan 
5. . “All that is gold does not glitter, not all those who wander are lost; the old that is strong does not wither, deep roots are not reached by the frost. From the ashes a fire shall be woken, a light from the shadows shall spring; renewed shall be blade that was broken, the crownless again shall be king.” —J.R.R. Tolkien, The Fellowship of the Ring

And now, on to the books….

The Fall of the House of Cabal: It’s finally here!  As you all know, I–and a fair number of other Library Staff members–are big fans of Herr Cabal, and, while new comers will find plenty to enjoy here, this book is a perfect reward for those who have walked each step beside the great necromancer.  Johannes Cabal has, at long last, discovered a vital clue to help him his pursuit for a cure for death.  However, in order to follow where that clue leads, Cabal will have to take a winding and laborious path, peopled with any number of beings from his colorful past, and any number of horrors awaiting him.  While this book is full of Jonathan L. Howard’s deliciously unique humor, plenty of returning characters and surprise cameos, and the return of a number of plot lines from past adventures, I have to admit to you that this book nearly did me in.  I may have cried.  I may have tried to bite someone who tried to take the book away from me.  But in the end, what I realized was that Howard is a better author, and Cabal himself a far more nuanced character than I had given either credit for.  And while I shall continue to fervently hope and pray that we see more of Cabal at some point in the future, I can honestly say that this book is one of the most rich, fun, and thoughtful (temporary) series finales I have read in some time.  The San Diego Union-Tribune agrees, saying, in their review, “Howard makes it look easy to paint a soul-stealing, murdering necromancer as a sympathetic character; that, folks, is worth the price of admission.”

Writing to Save a Life: In 1955, a young Black man named Emmett Till was tortured and killed while visiting family in Mississippi for allegedly whistling at a white woman.  His case, and his mother’s insistence on having an open-casket funeral so that all could see what had happened to her fourteen-year-old son, became national news, and is a particularly momentous example of race relations in the United States.  What many overlook is the fact that Emmett’s father, Louis, was executed by the Army for rape and murder a decade earlier, in 1945–one of some 83 Black soldiers who were executed during the Second World War.  Drawn to this joint tragedy, award-winning writer John Edgar Wideman’s book is part history, part personal journey, and part consideration of the legacy of one family and their role in a uniquely American story, culminating in a work that is powerful and somewhat genre-defying in its presentation. Kirkus notes “There are many layers of meaning in this book, especially regarding the identification of Wideman with Emmitt, both of them 14 when the author saw a photo of the dead boy’s battered face, and the narrative expands into a meditation on black fathers and sons, the divide and the bonds, the genetic inheritance within a racist society.”

Valiant Gentlemen: Roger Casement was born in 1864 in Ireland, and was baptized into both the Protestant and Catholic faith.  He worked as a civil servant for the British government, and became what we now recognize as one of the first human rights advocates of the twentieth century, bringing to light the enormous human rights violations taking place in the Belgian Congo and in the Amazon rainforest’s rubber plantations.  He was knighted for his work–and was executed about a decade later for conspiring with Germany to liberate Ireland from the British Empire.  In this new novel, Sabina Murray reimagines Casement’s life, and, specifically, his relationship with his once-best friend Herbert Ward and Ward’s extraordinary wife, the Argentinian-American heiress Sarita Sanford.  While tracing the incredible details of Casement’s life, Murray’s book is also a fascinating study of love and betrayal on both a personal and a national scale.  This novel is garnering acclaim from reviewers and readers alike, with Publisher’s Weekly noting that it is “Brimming with exquisite detail and clever humor . . . [Murray] maintains an impressive balance of historical accuracy and dramatic momentum, crafting a stellar fiction that shows how the grand course of history can be shaped by the smallest disagreements between friends.”

Thus Bad Begins: Spanish writer Javier Marías has been compared to literary greats like Umberto Eco and Elena Ferrante, and this new novel showcases all the elements of his writing that have won him awards and acclaim across Europe.  Set in Madrid in the 1980’s, the book follows Juan de Vere, a university student who takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director.  But he soon learns that his idol, Muriel, has odd ideas about Juan’s real job description–he assigns Juan to investigate a family friend, Dr. Jorge Van Vechten, and his relationships with Muriel’s enigmatic wife.  As he digs into the family’s background, and the deep, complex ties that bind all three people together, Juan finds himself lost in a web of deceit, loyalty, and deception from which even he might not emerge unscathed.  Booklist gave this novel a starred review, saying “In highly respected Spanish novelist Marías’s new work, we quickly see that political tensions have continued to reverberate [from the Spanish Civil War] . . . Marías reveals how insidiously oppression skews personal lives and relationships year after year.”

Angelic Music: The Story of Ben Franklin’s Glass Armonica: Amongst the myriad inventions for which he is known today (including the bifocals and the ever-famous lightning rod, Ben Franklin’s enduring favorite was the ‘glass armonica’, which is, apparently, the first musical instrument invented by an American,  constructed of stacked glass bowls and played by rubbing one’s fingers on the rims (kind of like you play the glasses at a fancy dinner party).  There were rumors, at the time of its invention that the instrument was haunted–people were known to fall ill while playing, and it was said that ghosts could be summoned through its strange music, causing it to eventually fall out of common usage.  But now that we can produce glass without the use of lead, the glass armonica has seen something of a return to favor, with new compositions being created in any number of musical genres.  Corey Mead takes readers through the history of the armonica, its invention, the remarkable people who played it, and the many who heard it, making for a fascinating musical exploration, as well as an intriguing historical tale.  Publisher’s Weekly called this book “Charming and fascinating . . . part musicology and part cultural history . . . Mead’s lively storytelling opens a window into a (as it were) mesmerizing chapter of music history.”

Until next week, beloved patrons–happy reading!